Monday 3 August 2015

Broadway Box Office: Ultra-Hot ‘Hamilton’ Races Up The Chart

How high can ultra-hot "Hamilton" go? Judging by the box office numbers last week, up ranked No. 4 in the top 10 Broadway - and that was only in the third week of the series of previews.

On the way to his inauguration on August 6, touted musical "Hamilton" ($ 1,490,816) fell within walking distance of $ 1.5 million and hit a big hand recipients of "The Book of Mormon" ($ 1,474,355 ) and "An American in Paris" ($ 1,388,952) for land behind the first three weeks. Benefiting from the kind of national profile that would kill any new musical, the show has become a hot ticket celebrity-inspired magnet heady think pieces newspaper magazines and flattering profiles chat between racks between Jon Stewart and President Obama. And observers are betting on Broadway that are very good reviews in the bag, considering the mainstays of the show and won his Off Broadway debut earlier this year.

"Hamilton" better yet reached its tally in its first week eight previews, as opposed to the seven he had done in each of the previous weeks. The show apparently has nowhere to go but up, but next week will probably see as something of a dent in sales, which feature performances by critics (starting tonight) and which largely compensated for August 06 opening. But look for production to swing back up - and potentially up itself - if "Hamilton" wins accolades anticipated later this week.



Overall, Broadway remained stable last week in a warm setting healthy climate, with high interest in the securities of renowned encourage both "The Lion King" ($ 2,624,288) and "Wicked" ($ 2,118,401) to play nine performances each compared to the usual eight, in order to capitalize on demand. Behind them, "Aladdin" ($ 1,854,407) led his-best tally of history and landed in third place in the table for the tenth consecutive week.

For another indicator that tourists were in town last week, looks at sales in the long corridor of "The Phantom of the Opera" ($ 1,090,526), the 26-year-old show returns to the club of millionaires when crowds of visitors to the city are to catch a Broadway landmark. Recent-vintage Crowd-pleasers did a lot, so, too, with "Penn & Teller on Broadway" ($ 1,304,660), "Finding Neverland" ($ 1,200,295), "The King and I" ($ 1,134,145) and "Something rotten!" ($ 1,073,132), all surpassing $ 1 million each.

So did the "Act of God" ($ 1,074,778), the comedy of Jim Parsons who played his final picture last week along with another set of star-driven, "Fish in the Dark" ($ 841,809). Both posted gains driven business last minute.

Not all the shows on the boards rebounded, though. "Hedwig and the Angry Inch" ($ 390,829 for seven performances), for example, does not seem to be attracting new audiences to the show that was a box office record breaker Neil Patrick Harris in the lead role, and critically well received game "Mano God "($ 285,603) saw sales dip even lower than they have been recently. Even champions Tony "Fun Home" ($ 782.634) and "The Curious Incident of the Dog in the Night-Time" ($ 842.068) slowed a little, but not enough to affect anyone.

Broadway's total sales rose about $ 700,000 to $ 28.8 million for 28 programs on the boards, and attendance increased approximately 4000 (roughly equivalent to audiences housed in additional performances of "The Lion King" and "Wicked ") to 259,904. Next week, look for the general box office to begin to decline - thanks to the start of the slowdown in August, the "Hamilton" compositions and the fact that there are two fewer Broadway shows running now is sans "Act God "and" Fish in the Dark ".

Friday 26 June 2015

‘Smash’ Musical ‘Bombshell’ In Development For Stage

"Bombshell" on the-TV-series-within-musical which originated as part of the Broadway-themed NBC series "Smash" is on the way to a future life on stage, with Universal Stage Prods. Put the property in development as a legitimate musical.

The co-directors of Universal Stage Prods., President of NBC Entertainment, Robert Greenblatt and Universal Pictures President Jimmy Horowitz, were encouraged in part by the fans raucous enthusiasm he showed for "Bombshell" in a one night only concert presentation in New York as part of a benefit Actors Fund. Still, the final product is likely a long way off, given that the musical biography of Marilyn Monroe currently has lots of catchy songs - courtesy of "Hairspray" composers Marc Shaiman and Scott Wittman, who wrote songs for the TV series - but no reserves with which to string them together.

In the benefit performance, songs were interspersed with text taken from the writings of Marilyn Monroe and who knew her. The staging also included a series of numbers fully choreographed dance choreographer Joshua Bergasse, who already works in "Smash" has become a regular on Broadway with shows from last season, including "On the Town" and "Gigi".



Bergasse will choreograph the stage version, with a director and writer of books for the show has not been announced. Whether Shaiman and Wittman, the "Charlie and the Chocolate Factory" head to Broadway next season, will write new songs for the stage version is not yet clear, although it seems likely.

Although the original cast of the TV series - including recent winner of Christian Tony Borle and Katharine McPhee and Megan Hilty alternating in the role of Marilyn - appeared in the concert version earlier this month, none of them are attached to the production preparation stage.

Universal Stage Prods. He made no mention of Broadway and specific ultimate goal for "Bombshell" but it is certainly one of the most likely scenarios for what seems certain to be a musical scale production.

Craig Zadan and Neil Meron, the stalwarts of Hollywood producing "Smash" and also produced on Broadway ("Promises, Promises," "How to Succeed in Business without Really Trying"), will lead the production team of "Bombshell”. Steven Spielberg, executive producer of the television series, also will be involved in the theatrical version. Justin Falvey and Darryl Frank, executive producers of "Smash" and co-presidents of Amblin Television, will also be on the team producing the musical stage.

"Bombshell" joins a list of Universal Stage Prods. Projects that also includes "The Sting," "Animal House" and "Back to the Future".

Wednesday 13 May 2015

Musical Of 'Tuck Everlasting' Aims For Broadway In 2016

NEW YORK (AP) - "Tuck Everlasting" wants to live forever on Broadway.

The story of a young woman who befriends a single family that has gained eternal life has become a musical and producers, said Wednesday it will open on Broadway in April, directed and choreographed by Casey Nicholaw.


The musical is based on the book of the popular 1975 children of the same title by Natalie Babbitt, who became a Disney movie in 2002. It made its world premiere at the Alliance Theatre in Atlanta earlier this year.

The story of Claudia Shear, a Tony Award nominee for "Dirty Blonde" and has music by Chris Miller and Nathan Tysen letter, which collaborated on "The Burnt Part Boys."

Although no deal was announced by Broadway version starred on Broadway in Atlanta veterans Fred Applegate, Carolee Carmello, Andrew Keenan-Bolger and Terrence Mann.

Nicholaw, it is for a Tony award this year for directing "Something rotten!" Has also directed "Aladdin" and "The Drowsy Chaperone" and co-directed "The Book of Mormon."

Tuesday 3 March 2015

Hot Musical ‘Hamilton’ To March On Broadway This Summer

Producers of delirium-magnet musical Lin-Manuel Miranda "Hamilton" have chosen not to run the show on Broadway in time for the eligibility threshold for Tonys 2015, setting a start date of July 13 under the Richard Rodgers Theater.

For "Hamilton" which has essentially sold out its extended run at the Public Theater off Broadway, the question has never been whether he would go to Broadway, but when. The musical, tracking Miranda its winner Tony "In the Heights", had already built an amazing frenzy based solely on the windows of the industry title development rumors, and the crowd standing-room and rave reviews in audience seemed only to have fast track transfer of the series.



It would have been feasible - if only briefly - to get the show in a house uptown before the deadline of April 23 for Tony eligibility this season, and the team of producers, including commercial producer Jeffrey Seller and the public, seriously considered the option to capitalize on the momentum.

"The agreement we have reached is that this show is too good not to take the time to be the most perfect version, Plato himself," Eustis said.

Although not so late that the spectator enthusiasm fade theater, early summer give Miranda, who wrote the songs and book and also stars in the show, time to work with other creative to improve production before moving. "The spectacle of a work of art and a work in progress," said the salesman. "Lin is not done."

Besides that, holding off Broadway avoids putting "Hamilton" Tony containment "Fun Home", another well received alum Public Theater will open its own transfer Broadway in April. Other titles "Hamilton" will not compete this season include "Finding Neverland" and "Something rotten!" Harvey Weinstein (The next season is much more of a blank slate, with only a handful of new musical on the agenda - so far -. Including "Loyalty")

The production of $ 12 million Broadway "Hamilton", staged by director Thomas Kail and choreographer Andy Blankenbuehler (both partners "In the Heights"), Miranda and his team returned to Rodgers, where "In the Heights "ran for about three years and won five Tony Awards in the process.

"Hamilton" ends his career in the Public May 3 and will return to trial for two weeks before the July 13 start of previews. The show opens on August 6th Rodgers.

Actor Brian d'Arcy James currently has a scene-stealing turn as King George in the musical, one-infused hip-hop look at the life of Alexander Hamilton. But soon it will come out production to star in "something rotten" and its replacement by the Broadway run of "Hamilton" has not yet been chosen.

Wednesday 28 January 2015

Water For Elephants To Become Broadway Musical

An elephant never forgets, but the memory of Broadway is apparently somewhat shorter. Although some adaptations-movie-musical find success on the Great White Way, Water for Elephants is the last property for a musical adaptation, according to Variety. This time, however, farmers have acquired the rights to the novel 2006 by Sara Gruen, rather than the bland 2011 film starring Reese Witherspoon and Robert Pattinson. And hey, Broadway actually has a pretty good track record of making books on music, as seen in the mega-hit adaptations like Wicked, Les Mis, and The Phantom of the Opera.



The musical adaptation of the novel by Gruen, which focuses on a love triangle set against the backdrop of a circus in 1930, it is still very early in the process. A production team is in place, led by the former president of Walt Disney Studios and producer Peter Schneider Elisabetta di Mambro, but no creative team, cast, or timeline has been announced yet. Before bringing water for elephants on stage, of course, you might want to consider the errors of Big Fish and Side Show, two circus-themed musical whose Broadway flop last races. You might also want to consider that elephants are very large.